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AC Noises | Combatti Distortion

AC_Noises_Combatti_Pedal.jpg
by
AC Noises Website Link
Model Number or Name:

Combatti

  • Distortion
Circuit Type: Analog
Original Price: $199
Excellent Used Price: $165
Year Released: 2017
Alternate Version(s)
  • No Alternate Versions Listed

COMBATTI means “fight” in second person (tu combatti = you fight).

This effect pedal is a very expressive and super versatile distortion based on LM308N chip and it offers three different clipping options selectable by a toggle switch:

MIDDLE POSITION
The standard one. Fully open sound and very high dynamic response. Probably the best choice if you want to use the effect as a warm mid gain overdrive.

UPPER POSITION
The sound is way more compressed with a strong mid-scoop. Perfect for razor-blade style solos.

LOWER POSITION
Similar to the upper position but a little bit less compressed and with way more defined low ends. Sure it’s the most aggrasive clipping option, just perfect to play dense chords and heavy riffs.

It has three adjustable parameters: VOLUME, TONE and DISTORTION.

The COMBATTI is created for that kind of player who still believes in the power of rock, playing strong rhythmic sessions and/or cutting solos. Turning back the distortion knob it’s possible to use that as a very warm overdrive but, if you’ll turn that fully clockwise, you’ll easily enter in fuzz territory.

  • Best electronic parts.
  • Top-mounted jacks.
  • Digital printed graphics.
  • Hand-built and designed in Italy.
  • True bypass switching.
  • Standard 9V DC negative power.
 

AC Noises Combatti Distortion

AC Noises Combatti distortion (demo)

AC Noises Combatti Distortion Guitar Bass Effects Pedal Demo Video

One heavy minute with the AC noises COMBATTI (distortion).

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Curated by:

COMBATTI means “fight” in second person (tu combatti = you fight).

This effect pedal is a very expressive and super versatile distortion based on LM308N chip and it offers three different clipping options selectable by a toggle switch:

MIDDLE POSITION
The standard one. Fully open sound and very high dynamic response. Probably the best choice if you want to use the effect as a warm mid gain overdrive.

UPPER POSITION
The sound is way more compressed with a strong mid-scoop. Perfect for razor-blade style solos.

LOWER POSITION
Similar to the upper position but a little bit less compressed and with way more defined low ends. Sure it’s the most aggrasive clipping option, just perfect to play dense chords and heavy riffs.

It has three adjustable parameters: VOLUME, TONE and DISTORTION.

The COMBATTI is created for that kind of player who still believes in the power of rock, playing strong rhythmic sessions and/or cutting solos. Turning back the distortion knob it’s possible to use that as a very warm overdrive but, if you’ll turn that fully clockwise, you’ll easily enter in fuzz territory.

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